Let's see what Cartier did with "Voodoo Trail"

I have to say that Edd's work is much better than the cover that Rozen did.  Which is too bad because the cover art could have been so much more dynamic with just the elements he worked with.

No sense of terror in the damsel's face and The Shadow almost looks like he was posing for a photo-booth picture strip before the detached hand with the viper thrust itself into the scene.  Would love to know how Steranko would have handled this one.

Anyhow, this is about Cartier, not Rozen or Steranko.  Without reading the caption or chapter one can see that Edd has made it clear that The Shadow is in the cab and trying to keep these yahoos from causing mayhem in their awesomely rendered classic cars.  Great stuff.