
Feeling generous.
What an iconic image. Classic! This story consistently ranks as a top ten tale in the annals of The Shadow, and rightfully so. If you haven't read this one, do so now. The cover and the story make this a great example of why we love this character.



Like a deer caught in the headlights! Again with the green cloak. This one is just okay for me. Never like to see our hero lose his gat. I think the switch from "Death Gas" to its published title was a good thing. The story has been reviewed here for those who want to know more.
Sorry for the low resolution on this image. It's tough to find quality images of these great covers. And a great cover it is! I love the explosions popping around the scene giving it a sense of urgency and danger. The coloration on The Shadow's face is terrific but the fez seems a bit trite. I am viewing it from nearly 75 years after the fact, to be sure. 1936 may have been intrigued by the exotic concept of the fez. 

Wow, almost a propaganda cover. The hammer of justice smashing those who would perpetrate evil on society. Heh, I love this stuff. Well rendered except for the awkward manner in handling the ring. Seems a bit forced to me, but I'm sure it was the best solution for the layout. All in all, a smashing cover. Check it out here if you want to read a bit about the story (written nearly a year prior to publication) originally titled "The Disintegrator".
Cool cover in the sense that The Shadow is casting his "shadow" across all of gangdom. Love the molls added in there. This is so symbolic in the greatest pulp sense and the exaggerated expression on the mug in the Dick Tracy costume is so very pulp. I also love the title of this tale.
Fat Tuesday seems appropriate to highlight this cover to the tale originally titled "Crime Trails the Mardi Gras". This cover reminds me of some of the old Post covers by J C Leyendecker, one of my favorite illustrators. The Shadow doesn't seem to thrilled to have confetti draped over his trademark slouch hat. I do like this illustration and am intrigued by the box that the young debutante is passing to the young man. It makes me curious as to what is unfolding in the French Quarter.

Wonderful cover. It's got the hand and ring that I love, the bright colors and simple design that catch the eye, just like a good cover should. Really want to read this one just because of this cover. If all you want to do is read a synopsis of the tale formerly know as "The Living God", then check this out.



