Tuesday, January 22, 2019
Burbank and the Sanctum
One of the coolest aspects of the 1994 Alec Baldwin film. As much as the sanctum didn't conform (at all) to the pulp iteration, I really liked it. The entrance to the hideout is really, to me, the best part of that room. The retro equipment really screams cutting edge 30's era technology and design.
And Burbank... such a great concept. I really hoped that a system like that really wound its way through the city of New York. Even now it would be really awesome. I wish Burbank had more of a role but I'll take what I can get.
Labels:
'94 film,
Alec Baldwin,
Burbank,
Maxwell Grant,
pulps,
The Shadow,
Walter B. Gibson
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