Ah, yes. The polite version of The Master of Men.
Showing posts with label Burbank. Show all posts
Showing posts with label Burbank. Show all posts
Tuesday, January 24, 2023
Friday, January 20, 2023
Friday, August 5, 2022
Wednesday, July 27, 2022
Thursday, July 21, 2022
Friday, July 15, 2022
Thursday, July 14, 2022
Tuesday, April 26, 2022
Friday, April 22, 2022
Saturday, April 16, 2022
Tuesday, September 7, 2021
A nod to the man behind The Man
Burbank, the man who (apparently) never sleeps. I always wondered if he had another agent who backed up this unsung hero. Even R. Mann (and before him C. Fellows) only had to disseminate information from 9 - 5. So raise a glass to Burbank, the man who worked in the shadows of The Shadow.
Tuesday, April 27, 2021
Thursday, April 8, 2021
Burbank
I know this ain't what Gibson wrote back in the day but I really thought this was a great idea and set from "The Shadow" film of 1994. It makes a lot of sense and gives the viewer the idea of how many agents and hidden messaging centers The Shadow employed. For all it's flaws this film is still a fun trip.
Labels:
'94 film,
Burbank,
Maxwell Grant,
The Shadow,
Walter B. Gibson
Wednesday, July 29, 2020
Thursday, February 27, 2020
"Death's Head" page 11
"Is this urgent? Because it's dinner-time and I was just whipping up a little dish..."
"And what the hell, anyway. Some dishes are better if you let them stew for a while"
Wednesday, February 26, 2020
Thursday, May 23, 2019
Burbank? Hello? Is anybody there?
Seriously, how hard is it to be available 24 hours a day, 7 days a week for a couple of decades? Good help is so hard to find!
Monday, February 11, 2019
The answers are...
"Agent J reports: Smith & Street, 1933, Tigger, Vincent and Burke's faces swapped. That's all I can find!"
Only miss is the extended top hat. Dirty trick to change two things within one character.
Tuesday, January 22, 2019
Burbank and the Sanctum
One of the coolest aspects of the 1994 Alec Baldwin film. As much as the sanctum didn't conform (at all) to the pulp iteration, I really liked it. The entrance to the hideout is really, to me, the best part of that room. The retro equipment really screams cutting edge 30's era technology and design.
And Burbank... such a great concept. I really hoped that a system like that really wound its way through the city of New York. Even now it would be really awesome. I wish Burbank had more of a role but I'll take what I can get.
Labels:
'94 film,
Alec Baldwin,
Burbank,
Maxwell Grant,
pulps,
The Shadow,
Walter B. Gibson
Wednesday, October 18, 2017
Burbank
Possibly The Shadow's most important agent. A man who lives in the shadows perhaps more than his boss. Let's take a look at a few different takes on the man in the headset.
This is how I see him when I read the pulps. Maybe not in a suit but a faceless agent keeping the vast network connected. I never felt that he should have a visage but I guess the editors felt differently because...
with the publication of "The Lone Tiger" many of The Shadow's key agents made the cover. In a way, Burbank has the most generic face so that helps but I still didn't think he should have made an appearance.
Fast forward to the mid 70's and the resurgence of The Shadow thanks to M W Kaluta and Denny O'Neil. This is when the popular version of Burbank emerged, a look I never understood in context of the character from the pulps but somehow made Burbank more interesting.
And then in 1994 I think they got it right for the most part with Andre Gregory as Burbank. I loved the tube system and even got on board with the video. I think this is pretty much a perfect compromise between the pulp and the comic.
This is how I see him when I read the pulps. Maybe not in a suit but a faceless agent keeping the vast network connected. I never felt that he should have a visage but I guess the editors felt differently because...
with the publication of "The Lone Tiger" many of The Shadow's key agents made the cover. In a way, Burbank has the most generic face so that helps but I still didn't think he should have made an appearance.
Fast forward to the mid 70's and the resurgence of The Shadow thanks to M W Kaluta and Denny O'Neil. This is when the popular version of Burbank emerged, a look I never understood in context of the character from the pulps but somehow made Burbank more interesting.
And then in 1994 I think they got it right for the most part with Andre Gregory as Burbank. I loved the tube system and even got on board with the video. I think this is pretty much a perfect compromise between the pulp and the comic.
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